Still, if you could accept its unholy crossing of the pop-culture streams, Kick-Ass worked as a kind of mad teen opera - taking you to some truly dark places in a way that the average superhero flick never dared. Crossing grotesque violence with broad, goofy humor, and a corrosive journey of moral damnation with a standard-issue coming-of-age tale, it seemed like the last word in ironic cynicism. For many viewers, Matthew Vaughn’s 2010 adaptation of Mark Millar’s aspirant teen superhero comic book Kick-Ass was a kind of litmus test for nihilism.
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